Coming back to this... honestly, I've spent way too much time obsessing over the 16 Pro's Log workflow lately. That Camera Control button is kinda tricky for case manufacturers, but I've found a few things that actually work rlly well.

- **The Case:** If u want the button to feel native, the iPhone+16+Pro+Case+with+MagSafe&linkCode=osi&------123456890?5422-20" target="_blank" rel="nofollow sponsored">Beats iPhone 16 Pro Case with MagSafe is actually a technical win cuz it uses a sapphire crystal to pass through ur touch perfectly. Most others just have a clunky cutout that feels weird.
- **ND Filters:** Since the Moment mount was already mentioned, definitely check out the Freewell Sherpa Series Magnetic Filter System. Magnetics are way faster for travel than threading things on...
- **The Tripod:** I've been using the Manfrotto PIXI EVO 2-Section Mini Tripod. It’s super stable for those heavy Log setups but still fits in a jacket pocket basically perfectly.

Anyway, that's what's worked for me so far! gl! 👍

hey! congrats on the 16 Pro, the Log video is lowkey a game changer. i've been testing mine for a few weeks now and found a few things that actually work without being a pain to carry around all day.

For your situation, here's what I recommend:
* **Tripod:** Honestly, just get the Peak Design Mobile Tripod. It's tiny, folds flat, and is super sturdy for its size. Definately the best for travel.
* **Filters:** You'll need NDs for that cinematic shutter speed. I've been using the Moment 67mm Filter Mount with MagSafe paired with a Moment 67mm Variable ND Filter 2-5 Stop. Using standard 67mm glass is way better than those tiny clip-on ones imo.
* **Case:** Be careful here... most cases have a cutout for the new button and it's realy annoying to use. I'd suggest the iPhone+16+Pro+Silicone+Case+with+MagSafe&linkCode=osi&------123456890?5422-20" target="_blank" rel="nofollow sponsored">Apple iPhone 16 Pro Silicone Case with MagSafe because it actually has the sapphire crystal pass-through, so the button feels native.

Anyway, that's my current setup. It's not too bulky but gives you way more control. gl!

Same here!

stumbled on this today and honestly... ive had such a disappointing time trying to find gear that actually feels right with the 16 pro. spent way too much on different cases and mounts recently and most of them were not as good as expected. they just make that new camera button feel awkward to reach, which is a total bummer when youre trying to be fast. its super frustrating when you want that seamless experience but end up fiddling with stuff more than shooting. it actually reminds me of this time i tried to get into film photography last year and bought this old vintage camera from a flea market. the film took like three weeks to develop only for me to find out the light seals were totally blown. every single photo was just a white blur. i was so crushed because i thought i had some real masterpieces in there. anyway, just wanted to say stay patient with the process, it takes a while to find the right flow! but yeah.

Did this last week, worked perfectly

Honestly, if ur planning to shoot a lot of Log video for the long haul, you really need to consider the data management and power side of things. I've been shooting mobile video for years and people often overlook how fast ProRes eats through internal storage and eventually impacts the NAND lifespan of the phone. I'm not 100 percent sure which exact MagSafe SSD enclosures are perfectly optimized for the 16 Pro thermals yet, but I think looking into a dedicated NVMe setup is basically essential. Just make sure you use a high-quality USB-C 3.2 Gen 2 cable

• IIRC, some of the pro-level cages are now adding cable strain relief because those ports can get loose over months of heavy use. As for the Camera Control button, I've heard from a few colleagues that some of the high-end aluminum cages actually make the button easier to find by touch alone, though I havent tested that specific ergonomic setup myself. Tbh, just make sure whatever storage or grip you add supports the full 10Gbps throughput or you might deal with dropped frames during a shoot, which is the absolute worst!!!

> I’m aiming for high-quality gear that isn't too bulky to carry around all day.

For your situation, I'm always worried about cheap mounts failing, but the Ulanzi MT-08 Mini Extension Pole Tripod is basically super sturdy for like $15. For filters, grab a K&F Concept 67mm Fixed ND8 Filter and a clip adapter... just be careful about lens scratches!! Also, the ESR Cloud Soft Case (HaloLock) has a solid cutout for that button. stays safe and budget friendly. gl!

mxnepkmpmp is spot on about the performance side of things. I was out shooting some sunset Log footage yesterday and honestly, the heat management is such a huge factor when you're pushing the 16 Pro to its limits. It's an amazing piece of tech but man, it gets spicy fast when you're doing high bitrate ProRes! I actually had my screen dim halfway through a shoot because I didn't account for the thermal load. It's wild how much power is packed in there now, but you definitely feel the throttle if you don't plan for it. Before you dive into buying a whole kit, are you planning on shooting mostly short cinematic clips for socials, or are you looking to film longer, documentary-style sequences? Also, what's your strategy for those massive file sizes... are you thinking about a direct-to-drive setup or just offloading from the internal storage every night?